{"id":640,"date":"2026-04-13T14:28:21","date_gmt":"2026-04-13T14:28:21","guid":{"rendered":"http:\/\/esae.fr\/projets-dnat\/"},"modified":"2026-04-13T14:28:21","modified_gmt":"2026-04-13T14:28:21","slug":"projets-dnat","status":"publish","type":"page","link":"https:\/\/www.esae.fr\/projets-dnat.html","title":{"rendered":"Projets Dnat"},"content":{"rendered":"\n\n
\n



\n\t

\n Tous les projets

\n de DNAT

\n depuis 2004

\n\t <\/span>

\n Le projet de diplôme<\/span>

\n représente l’aboutissement

\n de trois années

\nd’experimentations et d’apprentissages

\n menées au sein de l’école.

\n

\n Le cursus a pour principal

\n objectif de révéler des

\n aptitudes singulières ainsi que

\n l’appropriation des techniques

\n et médias qui s’y rattachent…<\/span><\/p>\n

\n\t→ 2015<\/a>

\n 2014<\/a>

\n 2013<\/a>

\n\t 2012<\/a>

\n 2011<\/a>

\n 2010<\/a>

\n 2009<\/a>

\n 2008<\/a>

\n 2007<\/a>

\n 2006<\/a>

\n 2005<\/a>

\n 2004<\/a><\/p>\n<\/td>\n

\n
\n\n\n
\n

<\/a><\/p>\n\n\n
DNAT 2015<\/td>\n<\/tr>\n<\/table>\n


<\/p>\n\n\n\n\n\n\n\n
\n
\n
\n
\n
<\/a>Etienne Baillieu<\/span>

\n L’horloger<\/span>

\n <\/a><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Simon Bailly<\/span>

\n Qui tient le couteau<\/span><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Gabriel Courrier<\/span>

\n Le tabou sexuel<\/span><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Léa Delhoumeau<\/span>

\n Distance<\/span>

\n <\/a><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Clémence Dupont<\/span>

\n Et maintenant…<\/span><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Manon Ficuciello<\/span>

\n Annam<\/span><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Maud Grelier & Ceecilia Haentjens<\/span>

\n Bienvennue !<\/span>

\n <\/a><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Hélène Humbert<\/span>

\n Whoopee !<\/span><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Mathilde Joly<\/span>

\n Le berceau<\/span><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Noémie Mangin<\/span>

\n Thésaurus<\/span>

\n <\/a><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Anaïs Montadon<\/span>

\n Zoudj – Deux heures<\/span><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Estelle Pérel<\/span>

\n La Rumeur<\/span><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Johanna Rousseau<\/span>

\n Désordre<\/span>

\n <\/a><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Victor Saillard<\/span>

\n <\/span><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Daniel Trieu<\/span>

\n Xxxxxxxxxx<\/span><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Violaine Warchol<\/span>

\n Pulvero<\/span>

\n <\/a><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n<\/table>\n

<\/a><\/p>\n\n\n
DNAT 2014<\/td>\n<\/tr>\n<\/table>\n


<\/p>\n\n\n\n\n\n\n\n\n\n
\n
\n
\n
\n
<\/a>Alice Andéo<\/span>

\n \u00c0 l’ombre du figuier

\nR\u00e9volte d’Espagne<\/span>

\n <\/a><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Marilou Babey<\/span>

\n Le Parc<\/span><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Chloé Begey<\/span>

\n Plis de mots<\/span><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Justin Boillon<\/span>

\n La quête du crabe<\/span>

\n <\/a><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Elina Chared<\/span>

\n Comité de la fête<\/span><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Hugo Chaure<\/span>

\n Ennemi de la surface morte<\/span><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Pierre Dominguez<\/span>

\n Le monstre<\/span>

\n <\/a><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Clothilde Garnier<\/span>

\n Musique organique<\/span><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Juliette Gellée<\/span>

\n Mahamul<\/span><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Margot Hackel<\/span>

\n Habité<\/span>

\n <\/a><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Célia Housset<\/span>

\n Brumaire<\/span><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Ambre lavandier<\/span>

\n A mes enfants<\/span><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Li Jingjing<\/span>

\n Mandala<\/span>

\n <\/a><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Orian Mariat<\/span>

\n Les visages du monstre<\/span><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Marie Marotel<\/span>

\n Phane<\/span><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Shanon Moreau<\/span>

\n La Loba<\/span>

\n <\/a><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Maxime Piette<\/span>

\n Titanomachie<\/span><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Mathilde Poncet<\/span>

\n Magma<\/span><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Elena Spurrier<\/span>

\n AAAAA<\/span>

\n <\/a><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Virgine Steff<\/span>

\n Déambulation<\/span><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Simon Termignon<\/span>

\n Nuages et narrations<\/span><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n


\n <\/a><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n<\/table>\n

<\/a><\/p>\n\n\n
DNAT 2013<\/td>\n<\/tr>\n<\/table>\n


<\/p>\n\n\n\n\n\n\n\n\n
\n
\n
\n
\n
<\/a>Lucas Boirat<\/span>

\n <\/a> <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Weiling Shoo <\/span>

\n Le souffle du vide<\/span> <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n <\/a>Audrey Clauss <\/span>

\n Cheminements<\/span>\n <\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Olivia Denis <\/span>

\n En route vers Aúpiopólis <\/span><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n\t <\/a>Christèle Diale <\/span>

\n\t Avant moi, il y eut <\/span><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n\t <\/a>Léa Djéziri <\/span>

\n\t Constellation<\/span><\/div>\n<\/td>\n<\/tr>\n
\n
\n <\/a>Manuela Ferry <\/span>

\n Comme des arbres qui marchent <\/span><\/div>\n<\/td>\n
\n
\n <\/a>Alicia Gardes <\/span>

\n Les interstices <\/span><\/div>\n<\/td>\n
\n
\n <\/a>Margot Georges <\/span>

\n Dimensions variables <\/span><\/div>\n<\/td>\n
\n
\n <\/a>Clémence Hanssler <\/span>

\n Et si c’était une évidence ? <\/span><\/div>\n<\/td>\n<\/tr>\n
\n
\n <\/a>Fabien Laus <\/span>
\n <\/div>\n<\/td>\n
\n
\n <\/a>Agathe Le Marchand <\/span>

\n Cosmogonie<\/span><\/div>\n<\/td>\n
\n
\n <\/a>Thimothée Lestradet <\/span>

\n Mickey Cohen <\/span><\/div>\n<\/td>\n
\n
\n <\/a>Marc-Antoine Locattelli <\/span>

\n Parenthèse<\/span><\/div>\n<\/td>\n<\/tr>\n
\n
\n <\/a>Anne Maussion <\/span>

\n L’heure du monstre <\/span><\/div>\n<\/td>\n
\n
\n <\/a>Esther Puyfoulhoux <\/span>

\n Les étiquettes attention ça colle ! <\/span><\/div>\n<\/td>\n
\n
\n <\/a>Juliette Rahban <\/span>

\n Corps de paroles <\/span><\/div>\n<\/td>\n
\n
\n <\/a>Lou Reichling <\/span>

\n Des espaces de rencontres<\/span><\/div>\n<\/td>\n<\/tr>\n
\n
\n <\/a>Hermine Robinet <\/span>
\n <\/div>\n<\/td>\n
\n
\n <\/a>Ferdinand Stephane-Coldefy <\/span>

\n Les chemins d’Abraxas <\/span><\/div>\n<\/td>\n
\n
\n <\/a>Sooah Sun <\/span>
\n <\/div>\n<\/td>\n
\n
\n <\/a>Mathilde Vaveau <\/span>

\n Déshérités<\/span><\/div>\n<\/td>\n<\/tr>\n<\/table>\n
\n

<\/a><\/p>\n\n\n
DNAT 2012<\/td>\n<\/tr>\n<\/table>\n


<\/p>\n\n\n\n\n\n\n\n\n
\n
\n
\n
\n
<\/a>Sarah Bencheton <\/span>

\n Il paraît qu’elle s’appelle…<\/span>

\n

\n <\/a> <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Pauline Blanchard <\/span>

\n L’indocilité du vide<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
<\/a>Caroline Bluche<\/span>

\n Cosmogonie<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Marion Bouture <\/span>

\n Boussolée, mais pas trop <\/span>

\n

\n <\/a> <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Alma Bucciali<\/span>

\n Ecritures…<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
<\/a>Camille Choaller

\n <\/span>4 saisons… l’album<\/span>

\n <\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Caimille Gallois <\/span>

\n Parures<\/span>

\n <\/a> <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Geoffrey Grimal <\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
<\/a>Camille Hoefgaertner <\/span>

\n Dans son ensemble <\/span><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Dorianne Larreta

\n <\/span>Les prédateurs<\/span>

\n

\n <\/a> <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Robin Lobvet <\/span>

\n Nocturneries<\/span><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
<\/a>Morgane Macler

\n <\/span>Intervalle(s)<\/span>

\n <\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Pauline Nicoli <\/span>

\n Le prince dindon <\/span>

\n <\/a> <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Emil Polette

\n <\/span>Le monde sous…<\/span>

\n <\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
<\/a>Audrey Potrat

\n <\/span>Vue des bois<\/span>

\n <\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Sarah Rousset

\n <\/span>Des histoires ?<\/span>

\n

\n <\/a> <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Emilie Saccoccio <\/span>

\n TRA<\/span><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
<\/a>Lucile Saldivant <\/span>

\n L’état d’un instant <\/span><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Johanna Solvéry<\/span>

\n Like a traveler who’s been… <\/span>

\n <\/a> <\/div>\n<\/p><\/div>\n<\/td>\n
<\/a>Anaïs Suzzoni <\/span>

\n Olim<\/span><\/td>\n		\n
\n
\n
\n
<\/a>Laurence Vuilleumier <\/span>

\n Shoot the doll… <\/span><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n<\/table>\n

<\/a><\/p>\n\n\n
DNAT 2011<\/td>\n<\/tr>\n<\/table>\n


<\/p>\n\n\n\n\n\n\n\n\n
\n
\n
\n
\n
<\/a>Gabriel Badin <\/span>

\n Transcriptions de mars<\/span>

\n

\n <\/a> <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Camille Bourrier <\/span>

\n Les faux fuyants <\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
<\/a>Antonin Causseque <\/span>

\n Diconomie<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Arthur Debert <\/span>

\n Interstice<\/span>

\n

\n <\/a> <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Paulince De Chalendar <\/span>

\n
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
<\/a>Hadrien Devaux <\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Nina Ferrer-Gleize <\/span>

\n Le silence d’Antigone <\/span>

\n

\n <\/a> <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Marine Froeliger <\/span>

\n Bon baisers de Tunisie <\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
<\/a>Vivien Gloekler <\/span>

\n Simone Poussin <\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Flora Kam <\/span>

\n

\n <\/a> <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Laura Kientzler <\/span>

\n Menues fulgurantes <\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
<\/a>Hee-Sun Kim <\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Delphine Millet <\/span>

\n Moving backward <\/span>

\n

\n <\/a> <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Louis Picard <\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
<\/a>Charlotte Sivrière <\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Hélène Thiennot <\/span>

\n

\n <\/a> <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Elise Wlater <\/span>

\n Le corps imposteur <\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
<\/a>Mathieu Zanellato <\/span>

\n Le mythe de Sisyphe <\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n


\n <\/a> <\/div>\n<\/p><\/div>\n<\/td>\n
 <\/td>\n\n
\n
\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n<\/table>\n

<\/a><\/p>\n\n\n
DNAT 2010<\/td>\n<\/tr>\n<\/table>\n


<\/p>\n\n\n\n\n\n\n\n
\n\n
\n
<\/a>Billy Boichu <\/span>

\n Grognon<\/span>

\n Animation<\/span>

\n <\/a> <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Camille Degardin <\/span>

\n Faunae<\/span>

\n Illustrations<\/span><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
<\/a>Audrey Devaud <\/span>

\n Livre<\/span> <\/span><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
<\/a>Pierre Faedi <\/span>

\n Vidéographisme<\/span>
\n <\/div>\n<\/td>\n
\n
\n
<\/a>Florence Heyer <\/span>

\n Vidéo<\/span>

\n
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Charline Humbert <\/span>

\n Sortir de l’ombre<\/span>

\n Dessins, performance<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
 <\/a>Jung-Yoon Lee <\/span>

\n L’abécédaire pour les illogiques<\/span>

\n Livre illustré<\/span>
\n<\/td>\n<\/tr>\n
\n\n
\n
\n
\n
\n
\n
\n
\n
<\/a>Julie Maurice <\/span>

\n Après toi<\/span>

\n Livre illustré<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Evelise Millet <\/span>

\n Livre<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Marie Minary <\/span>

\n Photographies<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
<\/a>Floriane Muckensturm <\/span>

\n Livre<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
<\/a>Marie Niederlender <\/span>

\n Livre illustré<\/span>
\n <\/div>\n<\/td>\n
\n
\n
<\/a>Christophe Olstein <\/span>

\n Ici, là bas, ailleurs<\/span>

\n Dessins<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Hélène Ricou <\/span>

\n Gravures, photographies<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
\n
\n
\n
\n
\n
<\/a>Zoé Thouron <\/span>

\n Livre illustré<\/span> <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Ya-Yuan Yang <\/span>

\n Graphisme<\/span> <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n<\/table>\n

<\/a><\/p>\n\n\n
DNAT 2009<\/td>\n<\/tr>\n<\/table>\n


<\/p>\n\n\n\n\n\n\n\n
\n
\n
\n
\n
<\/a>Louis-Julien Berthe<\/span>

\n Grognon<\/span>

\n BD animée<\/span>

\n <\/a> <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Antonin Buchwalter <\/span>

\n Khanimus<\/span>

\n Animation<\/span><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
<\/a>Jiyoun Choi <\/span>

\n La vie en simulation<\/span>

\n Photographie<\/span><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
<\/a>

\n Nicolas Cloarec <\/span>

\n Rêves<\/span>

\n Dessins<\/span>
\n <\/div>\n<\/td>\n
\n
\n
<\/a>Pauline Criqui <\/span>

\n Les blanches nuits<\/span>

\n Livres<\/span>

\n
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Julien Daubigny <\/span>

\n Polymésie<\/span>

\n Vidéos<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
<\/a>Aglaée Durouchoux<\/span>

\n Des images en écho<\/span>

\n Illustrations<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n\n
\n
\n
\n
\n
\n
\n
\n
<\/a>Kathya Hahn <\/span>

\n Les jours se suivent…<\/span>

\n Série photos<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\n
\n
\n
<\/a>Mathias Lavergne<\/span>

\n Journal d’un Geek<\/span>

\n Blog<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Christelle Méchain <\/span>

\n Variation(s)<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
<\/a>Marianne Mispealere <\/span>

\n Silences<\/span>

\n Livres et installation<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
<\/a>Fanny Pageaud <\/span>

\n Les livres à système<\/span>

\n Éditions<\/span>
\n <\/div>\n<\/td>\n
\n
\n
<\/a>Delphine Pauluzzo<\/span>

\n Funambule<\/span>

\n Vidéo<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/a>Zoé Polar <\/span>

\n Le crayon voyageur<\/span>

\n Dessins<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
\n
\n
\n
\n
\n
<\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
<\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n<\/table>\n

<\/a><\/p>\n\n\n
DNAT 2008<\/td>\n<\/tr>\n<\/table>\n


<\/p>\n\n\n\n\n\n\n\n
\n

\n\t
\n <\/a>Chi-Yon An

\n Univers mythique<\/span>

\n jeux graphiques<\/span> <\/div>\n<\/td>\n
\n

\n <\/a><\/p>\n

\n <\/a>Anne Cadiou

\n Mythologie intime<\/span>

\n Livre (collection)<\/span>\n\t\t\t <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n

\n <\/a>Cante Fulvio

\n Bêtes et Hommes<\/span>

\n Livre<\/span><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n

\n <\/a><\/p>\n

\n <\/a>Jeane Clément

\n L’échec titille le(s) mythe(s)<\/span>

\n Installation – dessins<\/span> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
<\/a>

\n Delphine Gatinois

\n Rencontres<\/span>

\n Livre illustré et DVD<\/span>
\n <\/div>\n<\/td>\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Nicolas Gil

\n Supplément de garniture<\/span>

\n bande dessinée<\/span>

\n
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n

\n <\/a>
\n Claire Hannicq

\n La Eclipsada<\/span>

\n Livre illustré <\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Zhenquian Huang

\n Coexistence<\/span>

\n Photos<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n

\n <\/a>
\n Jung-Ha Hwang

\n D’une langue à l’autre<\/span>

\n Collection illustrée<\/span>
\n <\/div>\n<\/td>\n
\n

\n <\/a><\/p>\n

\n <\/a> Caroline Langlade

\n Vision des choses<\/span>

\n Film<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n

\n <\/a>
\n Anne-Sophie Lohou

\n Comme une souris<\/span>

\n Illustrations<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Matthias Malingrëy

\n Baragouinage<\/span>

\n Livre<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n

\n <\/a>
\n Laurent Odelain

\n Je serais un instant quelque chose poursuivi<\/span>

\n Photos – video – livre<\/span>
\n <\/div>\n<\/td>\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Anne-Émilie Philippe

\n Sage comme une image<\/span>

\n Cahier-objets <\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n

\n <\/a>
\n Clément Richem

\n J’aime perdre la tête<\/span>

\n Installation et livre<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Camille Saccoccini

\n Dentelles<\/span>

\n Livre illustré<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n

\n <\/a>
\n Anthony Songy

\n Terræ Incognitæ<\/span>

\n Livre illustré
\n <\/div>\n<\/td>\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Émilie Tcherkaschenko

\n Joy<\/span>

\n Film d’animation – 7 min<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n

\n <\/a>
\n Raphaëlle Tchoukriel

\n C’est quoi la vie ?<\/span>

\n Livres illustrés<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Élodie Thirion

\n Vous m’avez dit : doux nid d’amour ?<\/span>

\n Photographies<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n

\n <\/a>
\n Ying Yu

\n Espace du plan<\/span>

\n Livres<\/span>
\n <\/div>\n<\/td>\n
\n
\n
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n<\/table>\n

<\/a><\/p>\n

\n\n\n
DNAT 2007 <\/td>\n<\/tr>\n<\/table>\n


<\/p>\n\n\n\n\n\n\n\n
\n

\n <\/a>
\n Jeanne Anquetil

\n Paroles<\/span>

\n Photo vidéo<\/span>
\n <\/div>\n<\/td>\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Mathieu Doré

\n Dessin animé <\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n

\n <\/a>
\n Carole Dufour

\n Modèle modelé<\/span>

\n Vidéo photo<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Sandrine El Mehdaoui

\n Sandrine Yamina<\/span>

\n Vidéo<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n

\n <\/a>
\n Claire Juillard

\n Installation<\/span>
\n <\/div>\n<\/td>\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Sandrine Kao

\n Écumes<\/span>

\n Livre illustré<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n

\n <\/a>
\n Céline Le Gouail

\n Les truffes <\/span>

\n Livre illustré<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Mathilde Lemiesle

\n Comment séduire ?<\/span>

\n Livre illustré<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n

\n <\/a>
\n Amélie Lemoine

\n Éclats de voies<\/span>

\n Livre illustré<\/span>
\n <\/div>\n<\/td>\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Julie Loison

\n Vidéo<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n

\n <\/a>
\n Nicolas Mathis

\n Vision des choses<\/span>

\n Multimédia<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Audrey Ohlmann

\n Livres d’artiste<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n

\n <\/a>
\n Agnès Petit

\n Au comptoir<\/span>

\n Livre illustré<\/span>
\n <\/div>\n<\/td>\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Élise Pichon

\n Quand j’étais gosse<\/span>

\n Blog<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n

\n <\/a>
\n Aurélie Plage

\n In petto<\/span>

\n Photographisme<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Marlène Renaud

\n Installation<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n

\n <\/a>
\n Yeon-Sil Yi

\n Kébi<\/span>

\n Livre illustré<\/span>
\n <\/div>\n<\/td>\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Hee-Ok Song

\n L’un dans l’autre<\/span>

\n Livre illustré<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n

\n <\/a>
\n Hee-jin Song

\n Si je disparaissais<\/span>

\n Livre illustré<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Arthur Violy

\n Rupture de communication<\/span>

\n Multimédia<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n

\n <\/a>
\n Sarah Waligorski

\n Albums<\/span>

\n Livre illustré<\/span>
\n <\/div>\n<\/td>\n
\n
\n
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n<\/table>\n

<\/a><\/p>\n\n\n
DNAT 2006 <\/td>\n<\/tr>\n<\/table>\n


<\/p>\n\n\n\n\n\n\n
\n

\n <\/a>
\n Gaëlle Almeras

\n Voyage voyage<\/span>

\n livre illustré<\/span>
\n <\/div>\n<\/td>\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Marlène Astrié

\n Le Baron de Münchhausen<\/span>

\n CD-Rom<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n

\n <\/a>
\n Mauve Bonnefoi

\n Partitions<\/span>

\n livre-partitions<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Julie Brechet

\n Du côté des ombres<\/span>

\n livres – CD<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n

\n <\/a>
\n Julie Champenois

\n Tours détours<\/span>

\n Photographies<\/span>
\n <\/div>\n<\/td>\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Till Charlier

\n Connard(s)<\/span>

\n livre<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n

\n <\/a>
\n Yves D’Agostino

\n Contrebande<\/span>

\n livre illustré<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Aurélie Frantz

\n Emprisonné dans le fil de tes mots<\/span>

\n livre illustré<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n

\n <\/a>
\n Stéphane Froidurot

\n Fumuj monstrueuse normalité<\/span>

\n Clip de 5’<\/span>
\n <\/div>\n<\/td>\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Caroline Georges

\n Des balançoires<\/span>

\n Vidéo<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n

\n <\/a>
\n Sophie Mann

\n J’ai une maladie pas comme les autres<\/span>

\n livres illustrés<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Pauline Munier

\n Fatrasies de déchets<\/span>

\n poèmes illustrés<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n

\n <\/a>
\n Marie Novion

\n C’est ma nature<\/span>

\n livre d’illustration<\/span>
\n <\/div>\n<\/td>\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Valérie Paillet

\n La ville autrement<\/span>

\n Livre illustré<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n

\n <\/a>
\n Sophie Scher

\n Instants urbains<\/span>

\n photos<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Raphaël Teillet

\n Ordinaire (extra)<\/span>

\n illustrations<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n

\n <\/a>
\n Chloé Valentin

\n Les peurs de Zoé<\/span>

\n livre illustré<\/span>
\n <\/div>\n<\/td>\n
\n
\n
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n<\/table>\n

<\/a><\/p>\n\n\n
DNAT 2005 <\/td>\n<\/tr>\n<\/table>\n


<\/p>\n\n\n\n\n\n\n
\n

\n <\/a>
\n Rémi Bonardot

\n Farce et à tripe<\/span>

\n livre illustré <\/span>
\n <\/div>\n<\/td>\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Nicolas Bottereau

\n L’arbre<\/span>

\n bande dessinée<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n

\n <\/a>Audrey Calleja

\n 27 premières<\/span>

\n livre illustré<\/span>

\n
<\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Grégoire Carlé

\n Bouillabaisse<\/span>

\n bande dessinée<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n

\n <\/a>
\n Aurélie Dirninger

\n Pas à part<\/span>

\n livre illustré <\/span>
\n <\/div>\n<\/td>\n
\n

\n <\/a><\/p>\n

\n <\/a>Eve-Marie Thouvenin

\n La dame aux pigeons<\/span>

\n film vidéo <\/span><\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n

\n <\/a>
\n Virgile Eve

\n vidéosphère<\/span>

\n film vidéo<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Sherley Freundenreich

\n Gare Bruxelles nord<\/span>

\n film vidéo<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n

\n <\/a>
\n Élodie Housset

\n Derrière les murs<\/span>

\n film vidéo<\/span>
\n <\/div>\n<\/td>\n
\n

\n <\/a><\/p>\n
<\/a>

\n Jeanne Kiefer

\n Confidences d’une poule<\/span>

\n performance<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n

\n <\/a>
\n Denis Lecoq

\n Histoire d’ennui<\/span>

\n photographies<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Alexandre Legeay

\n Nos chères “crises écologiques”<\/span>

\n film vidéo<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n

\n <\/a>
\n Florianne Lorin

\n Écoute s’il pleut<\/span>

\n collection de livres illustrés<\/span>
\n <\/div>\n<\/td>\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Mélody Magot

\n À cet endroit<\/span>

\n livre illustré<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n

\n <\/a>
\n Arnaud Mattei

\n L’uniforme et la culotte<\/span>

\n film vidéo – durée : 22’<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Sylvianne Michel

\n Une girouette et le vent tourne<\/span>

\n livre illustré<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n

\n <\/a>
\n Emmanuel Olivier

\n L’immeuble<\/span>

\n bande dessinée<\/span>
\n <\/div>\n<\/td>\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Séverine Soury

\n Alice et les explorateurs<\/span>

\n livre illustré<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n

\n <\/a>
\n Audrey Veuillot

\n Carnet de santé<\/span>

\n livre illustré<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n<\/table>\n

<\/a><\/p>\n\n\n
DNAT 2004 <\/td>\n<\/tr>\n<\/table>\n


<\/p>\n\n\n\n\n\n
\n

\n <\/a>Julien Bisaro

\n monsieur Quichotte<\/span>

\n film d’animation – durée : 7’30<\/span>
\n <\/div>\n<\/td>\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Philippe Brouard

\n les reportages de Victor<\/span>

\n Cédérom interactif<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n

\n <\/a>
\n Loren Capeli

\n migrations des cœurs<\/span>

\n édition<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Osman Cerfon

\n faits d’hivers et d’autres saisons<\/span>

\n édition<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n

\n <\/a>
\n Virginie Defranoux

\n Poussière du temps<\/span>

\n Livre illustré<\/span>
\n <\/div>\n<\/td>\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Vedrana Donic

\n comment j’ai pu en arriver là ?<\/span>

\n film vidéo – durée : 9’44<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n

\n <\/a>
\n Fleur Guérin

\n regard posé<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Guillaume Heurtault

\n ?!… autour de la BD<\/span>

\n site internet<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n

\n <\/a>
\n Violaine Marlange
\n

\n la fin des haricots<\/span>
\n <\/div>\n<\/td>\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Jérôme Meyer-Bisch

\n de l’activité en upside down<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n

\n <\/a>
\n Aurélie Perin

\n cric crac l’histoire est à toi<\/span>

\n Livre illustré<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n Jérémie Perrin

\n les mots de tête<\/span>

\n collection de livres illustrés<\/span>
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n
\n

\n <\/a>
\n Ursulla Pinon

\n trois histoires<\/span>
\n <\/div>\n<\/td>\n
\n

\n <\/a><\/p>\n

\n <\/a>
\n David Schuman

\n 1 temps 3 mouvements<\/span>

\n film vidéo<\/span>
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n <\/div>\n<\/p><\/div>\n<\/td>\n
\n
\n
\n
\n
\n <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n<\/table>\n

<\/p>\n<\/td>\n<\/tr>\n<\/table>\n

 <\/p>\n

 <\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false,"raw":""},"excerpt":{"rendered":"

Tous les projets de DNAT depuis 2004 Le projet […]<\/p>\n","protected":false},"author":0,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template_8.php","meta":{"footnotes":""},"class_list":["post-640","page","type-page","status-publish","hentry"],"yoast_head":"\nEDITION<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.esae.fr\/projets-dnat.html\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"EDITION\" \/>\n<meta property=\"og:description\" content=\"Tous les projets de DNAT depuis 2004 Le projet […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.esae.fr\/projets-dnat.html\" \/>\n<meta property=\"og:site_name\" content=\"ESAL - 2021\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"10 minutes\" \/>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"EDITION","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.esae.fr\/projets-dnat.html","og_type":"article","og_title":"EDITION","og_description":"Tous les projets de DNAT depuis 2004 Le projet […]","og_url":"https:\/\/www.esae.fr\/projets-dnat.html","og_site_name":"ESAL - 2021","twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"10 minutes"}},"_links":{"self":[{"href":"https:\/\/www.esae.fr\/index.php?rest_route=\/wp\/v2\/pages\/640","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esae.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esae.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esae.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=640"}],"version-history":[{"count":0,"href":"https:\/\/www.esae.fr\/index.php?rest_route=\/wp\/v2\/pages\/640\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.esae.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}